Wai Ching Chan
WAI CHING CHAN uses Chinese knots as her language to express the need to reconstruct and reinforce the connections and unity that exists between tauiwi and tangata whenua in Aotearoa. The knots come together like the lyrics to a song and together they make up a bridge that lead us to something important.
Recent projects include: Fluid Borders 流动的边界, Audio Foundation, Tāmaki Makaurau; A temple, a commons and a cave, MEANWHILE, Te Whanganui-a-Tara Wellington ; The River Remains; ake tonu atu, Artspace, Tāmaki Makaurau; What We Do in the Shadows, TONENTON Artspace, Hamburg; BITE ME- Decolonising the Diet, Lowtide Studio, Tāmaki Makaurau, Rabbit on the Moon, Hapori vol. 6, 157 Symonds Street, Tāmaki Makaurau.
Recent projects include: Fluid Borders 流动的边界, Audio Foundation, Tāmaki Makaurau; A temple, a commons and a cave, MEANWHILE, Te Whanganui-a-Tara Wellington ; The River Remains; ake tonu atu, Artspace, Tāmaki Makaurau; What We Do in the Shadows, TONENTON Artspace, Hamburg; BITE ME- Decolonising the Diet, Lowtide Studio, Tāmaki Makaurau, Rabbit on the Moon, Hapori vol. 6, 157 Symonds Street, Tāmaki Makaurau.
The LearningWai Ching Chan2018
细水长流 (xì shuǐ cháng liú) The Thin StreamWai Ching Chan2018
AbundanceWai Ching Chan2018
Co-Wai Ching Chan2018
-StarringWai Ching Chan2018
Bridges to BuildWai Ching Chan2019
